Those of us living in the Islamic Republic of Iran grasped both the tragedy and absurdity of the
cruelty to which we were subjected. We had to poke fun at our own misery in order to survive.
We also instinctively recognized poshlust-not just in others, but in ourselves. This was one reason
that art and literature became so essential to our lives: they were not a luxury but a necessity.
What Nabokov captured was the texture of life in a totalitarian society, where you are completely
alone in an illusory world full of false promises, where you can no longer differentiate between
your savior and your executioner.
cruelty to which we were subjected. We had to poke fun at our own misery in order to survive.
We also instinctively recognized poshlust-not just in others, but in ourselves. This was one reason
that art and literature became so essential to our lives: they were not a luxury but a necessity.
What Nabokov captured was the texture of life in a totalitarian society, where you are completely
alone in an illusory world full of false promises, where you can no longer differentiate between
your savior and your executioner.
( Azar Nafisi )
[ Reading Lolita in Tehran: A ]
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