The Parthenon is a pleasing building, and Mozart's Fifth Piano Concerto a pleasing work, because each makes use of proportions, relations, and variations that go beyond subjective preference, education, and culture into the realm of universal appeal conditioned by universal human requirements and constraints. A life lived with these understood, even if vaguely, will have the grace that a life lived unaware of them will lack.
( Mark Helprin )
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