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For David Shenk, the most important of the "windows onto meaning" afforded by Alzheimer's is its slowing down of death. Shenk likens the disease to a prism that refracts death into a spectrum of its otherwise tightly conjoined parts-death of autonomy, death of memory, death of self-consciousness, death of personality, death of body-and he subscribes to the most common trope of Alzheimer's: that its particular sadness and horror stem from the sufferer's loss of his or her "self" long before the body dies.

( Jonathan Franzen )
[ How to Be Alone: Essays ]
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