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Shakespeare: The World as Stage
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Shakespeare: The World as Stage
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Bill Bryson
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Shakespeare: The World as
It is often said that what sets Shakespeare apart is his ability to illuminate the workings of the soul and so on, and he does that superbly, goodness knows, but what really characterizes his work - every bit of it, in poems and plays and even dedications, throughout every portion of his career - is a positive and palpable appreciation of the transfixing power of language. remains an enchanting work after four hundred years, but few could argue that it cuts to the very heart of human behaviour. What it does is take, and give, a positive satisfaction in the joyous possibilities of verbal expression.
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Bill Bryson
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Shakespeare: The World as
Perhaps nothing speaks more eloquently of the variability of spelling in the age than the fact that a dictionary published in 1604, A Table Alphabeticall of Hard Words, spelled "words" two ways on the title page.
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Bill Bryson
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Shakespeare: The World as
Only one man had the circumstances and gifts to give us such incomparable works, and William Shakespeare of Stratfrod was unquestionably that man -- whoever he was.
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Bill Bryson
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Shakespeare: The World as
And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere.
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Bill Bryson
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Shakespeare: The World as
In 1580, when William was sixteen, Campion passed through Warwickshire on his way to the more safely Catholic north. He stayed with a distant relative of Shakespeare's, Sir William Catesby, whose son Robert would later be a ringleader of the Gunpowder Plot."
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Bill Bryson
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Shakespeare: The World as
Rich women, including the queen, made themselves additionally beauteous by bleaching their skin with compounds of borax, sulfur, and lead-all at least mildly toxic,
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Bill Bryson
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Shakespeare: The World as
It is extraordinary to think that before he settled in London and became celebrated as a playwright, history provides just four recorded glimpses of Shakespeare-at his baptism, his wedding, and the two births of his children.
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Bill Bryson
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Shakespeare: The World as
In a sense William Shakespeare's greatest achievement in life wasn't writing Hamlet or the sonnets but just surviving his first year.
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Bill Bryson
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Shakespeare: The World as
All that is missing to connect her with Shakespeare is anything to connect her with Shakespeare.
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Bill Bryson
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Shakespeare: The World as
If the Chandos portrait is not genuine, then we are left with two other possible likenesses to help us decide what William Shakespeare looked like. The first is the copperplate engraving that appeared as the frontispiece of the collected works of Shakespeare in 1623-the famous First Folio.
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Bill Bryson
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Shakespeare: The World as
It was painted by someone who knew how to prime a canvas, so he'd had some training, but it is quite workaday and not well lighted. The main thing is that if it is Shakespeare, it is the only portrait known that might have been done from life, so this would be what William Shakespeare really looked like-if it is William Shakespeare.
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Bill Bryson
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Shakespeare: The World as
Well, the earring tells us he was bohemian," she explained. "An earring on a man meant the same then as it does now-that the wearer was a little more fashionably racy than the average person. Drake and Raleigh were both painted with earrings. It was their way of announcing that they were of an adventurous disposition.
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