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Bento's Sketchbook
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Bento's Sketchbook
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John Berger
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Bento's Sketchbook
Accept the unknown. There are no secondary characters. Each one is silhouetted against the sky. All have the same stature. Within a given story some simply occupy more space.
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John Berger
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Bento's Sketchbook
There is a symbiotic desire to get closer and closer, to enter the self of what is being drawn, and, simultaneously, there is the foreknowledge of immanent distance. Such drawings aspire to be both a secret rendezvous and an au revoir! Alternately and ad infinitum."
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John Berger
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Bento's Sketchbook
When I'm drawing - and here drawing is very different from writing or reasoning - I have the impression at certain moments of participating in something like a visceral function, such as digestion or sweating, a function that is independent of the conscious will. This impression is exaggerated, but the practice or pursuit of drawing touches, or is touched by, something prototypical and anterior to logical reasoning.
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John Berger
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Bento's Sketchbook
Drawing is a form of probing. And the first generic impulse to draw derives from the human need to search, to plot points, to place things and to place oneself.
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understanding-via-drawing
John Berger
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Bento's Sketchbook
We who draw do so not only to make something visible to others, but also to accompany something invisible to its incalculable destination.
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