David foster wallace Quotes - QuotesSweet | quotesweet.com

Author: David Foster Wallace
Quotes of Author: David Foster Wallace

David Foster Wallace _ Infinite Jest
{Stice's} parents had met and fallen in love in a Country/Western bar in Partridge KS - just outside Liberal KS on the Oklahoma border - met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice -whom both Mr. Stice and The Darkness called 'The Bride' -while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood {Stice refers to both himself and his six siblings as 'The Brood'} and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
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David Foster Wallace _ Infinite Jest
The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
book-quote life suicide life-and-death
David Foster Wallace _ Consider the Lobster and Other
Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good. The main thing that keeps Krantz and Grisham and a lot of other gifted storytellers from being artistically good is that they don't have any talent for {or interest in} characterization-their compelling plots are inhabited by crude and unconvincing stick figures. {In fairness, there are also writers who are good at making complex and fully realized human characters but don't seem able to insert those characters into a believable and interesting plot. Plus others-often among the academic avant garde-who seem expert/interested in neither plot nor character, whose books' movement and appeal depend entirely on rarefied meta-aesthetic agendas.}
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David Foster Wallace _ Consider the Lobster and Other
Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good.
book-quote writing
David Foster Wallace _ Both Flesh and Not
THE BEST METAPHOR I know of for being a fiction writer is in Don DeLillo's Mao II, where he describes a book-in-progress as a kind of hideously damaged infant that follows the writer around, forever crawling after the writer {i.e., dragging itself across the floor of restaurants where the writer's trying to eat, appearing at the foot of the bed first thing in the morning, etc.}, hideously defective, hydrocephalic and noseless and flipper-armed and incontinent and retarded and dribbling cerebrospinal fluid out of its mouth as it mewls and blurbles and cries out to the writer, wanting love, wanting the very thing its hideousness guarantees it'll get: the writer's complete attention.
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David Foster Wallace _ Consider the Lobster and Other
But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.
book-quote solipsism norman-mailer philip-roth
David Foster Wallace _ Consider the Lobster and Other
When a solipsist dies ... everything goes with him.
book-quote john-updike solipsism
David Foster Wallace _ Up, Simba!
It's hard to get good answers to why most Young Voters are so uninterested in politics. This is probably because it's next to impossible to get someone to think hard about why he's not interested in something. The boredom itself preempts inquiry; the fact of the feeling's enough. Surely one reason, though, is that politics is not cool. Or say rather that cool, interesting, alive people do not seem to be the ones who are drawn to the Political Process. Think back to the sort of kids in high school or college who were into running for student office: dweeby, overgroomed, obsequious to authority, ambitious in a sad way. Eager to play the Game. The kind of kids other kids would want to beat up if it didn't seem so pointless and dull. And now consider some of 2000's adult versions of these very same kids: Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes with his wet forehead and loony giggle; G. Bush2's patrician smirk and mangled cant; even Clinton himself with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to dislike-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is so often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even.
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David Foster Wallace _ Consider the Lobster and Other
Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even.
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